Many bars, nightclubs and music venues have disco or stage lights fitted to illuminate the performances and concerts. Basic effects can be achieved with standard units such as can lights, spots or multiple beamed box units. A better way to put on a spectacular light show is to have professional led moving head stage lights installed.
Moving head units can be purchased in many different sizes and designs and it is important to select the correct type to suit your needs. They will usually be ceiling mounted or attached to metal racks and in some cases are used as standalone units on floors. The units work in a couple of different ways either through sound activation or by having someone to manually control or program them to perform sequenced routines.
Stage lighting of this design has enormous flexibility; they can spin through a full 360 degrees and are able to rotate in many directions. Using a variety of LED bulbs in differing colors the operator can achieve any number of hues; adding a second unit can open up the whole spectrum. By linking the system to a DMX controller the number of functions is increased even further.
When the sound activation is the chosen method of operation, the beams move and rotate in time with the beat of the music and enhance the rhythm of the track being played. The volume of the music can affect the direction and spin with the overall effect seeming quite random. By connecting them to a control unit a technician can pre-program sequences to achieve the effect desired for that track or the whole performance.
When a soloist is lead singer is the focus of the lighting, manual operation through a DMX box allows the operator to better track their movements across the stage while they perform. The unit can also function in the same manner as a single spot to highlight a particular performer or area of interest to the audience. Both the shape and color of the beam can be controlled by the operator to match the light show to the action on stage.
You need not be a trained lighting expert to get great results from a DMX controller. With a little practice and tuition on the system the results can be very dramatic. Text can be produced so the name of the band or club can be projected onto a backdrop or dance floor. Any number of shapes and colors can transform a bland room into a dazzling show. The more channels and LEDs that are available, the more complex and stunning the effects can be.
When installing a more complex system which is fully programmable you will also need the correct type of cable and plugs to connect everything. Any professional lighting system should always be fitted by a trained electrical engineer and checked for safety. Some of the cabling and connectors can be costly but it is advisable to always buy the best quality that is available.
Professional stage lighting will need routine checkups and inspections if it is being used regularly. Glass lenses should be kept clean and free from debris and led bulbs should be replaced in the event of failure. The small motors that control the movements of the unit should also be maintained and inspected from time to time.
Moving head units can be purchased in many different sizes and designs and it is important to select the correct type to suit your needs. They will usually be ceiling mounted or attached to metal racks and in some cases are used as standalone units on floors. The units work in a couple of different ways either through sound activation or by having someone to manually control or program them to perform sequenced routines.
Stage lighting of this design has enormous flexibility; they can spin through a full 360 degrees and are able to rotate in many directions. Using a variety of LED bulbs in differing colors the operator can achieve any number of hues; adding a second unit can open up the whole spectrum. By linking the system to a DMX controller the number of functions is increased even further.
When the sound activation is the chosen method of operation, the beams move and rotate in time with the beat of the music and enhance the rhythm of the track being played. The volume of the music can affect the direction and spin with the overall effect seeming quite random. By connecting them to a control unit a technician can pre-program sequences to achieve the effect desired for that track or the whole performance.
When a soloist is lead singer is the focus of the lighting, manual operation through a DMX box allows the operator to better track their movements across the stage while they perform. The unit can also function in the same manner as a single spot to highlight a particular performer or area of interest to the audience. Both the shape and color of the beam can be controlled by the operator to match the light show to the action on stage.
You need not be a trained lighting expert to get great results from a DMX controller. With a little practice and tuition on the system the results can be very dramatic. Text can be produced so the name of the band or club can be projected onto a backdrop or dance floor. Any number of shapes and colors can transform a bland room into a dazzling show. The more channels and LEDs that are available, the more complex and stunning the effects can be.
When installing a more complex system which is fully programmable you will also need the correct type of cable and plugs to connect everything. Any professional lighting system should always be fitted by a trained electrical engineer and checked for safety. Some of the cabling and connectors can be costly but it is advisable to always buy the best quality that is available.
Professional stage lighting will need routine checkups and inspections if it is being used regularly. Glass lenses should be kept clean and free from debris and led bulbs should be replaced in the event of failure. The small motors that control the movements of the unit should also be maintained and inspected from time to time.
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You can find a complete review of the advantages you get when you purchase professional LED moving head stage lights online at http://www.stagelasers.com right now.
