Modern music relies heavily on technology, not only to record and master tracks but also in its composition and production. It is not unusual these days for musicians, even the most famous ones, to make use of synthetic techniques and devices to produce or edit their music. Understanding how they do this is part of making your own top quality mp3 WAV beats.
In making synthetic music, there are two steps. The first is the recording or production of the actual sound. Some musicians use live instruments, while others produce the sound entirely using technology. A backtrack is merely used as backing for live performance, while a track is the entire piece or song. The next step is to master or mix the track so that it can be released in its finished form. Some music involves these two steps simultaneously, or alternating all the time.
If you are making beats, and nothing else, then you are probably going to use mostly software to do so. This software is not new, and there are various brands. It is not sensible to recommend a specific one, since you will need to assess them and decide for yourself what you prefer.
Usually, these programs will present you with a layout of the track that allows you to add or remove samples (pre-recorded sounds, such as instruments) as building units, as you desire. You can also edit or manipulate the sounds in different ways.
You need to have experience in mixing tracks to use this software properly. If you mix the tracks wrong, you won't be able to use them for their intended function, whether that is performance in public or for a vocalist to sing to. There are some common reasons why this is so.
One such reason is that the equipment that you use to mix your tracks needs to be appropriate. Many PC speakers are extremely low power and have practically no bass. The temptation then is to amplify the bass excessively. When the track is played in public, however, the bass is so heavy that it either distorts the speakers or, in rare instances, damages them (this is known as "blowing" the speaker). You may not realize how powerful the samples are if you are not using powerful speakers when you mix your track. The track is then useless.
You should always try to maintain awareness of the relative power of the speakers that you are using to mix your tracks. Sometimes, a track might sound weak on the speakers at home, but on a professional PA system it is perfect. Tactics such as part doubling (mixing a double channel for a specific sample or instrument) or "amping" should be used sparingly, since they are seldom necessary.
Nelly Furtado, the legendary pop singer, once stated that she managed to make the speakers smoke during a practice session, literally. Despite assumptions otherwise, speakers can indeed destroy themselves. They are not made with any restriction on the power of their output, so you should not mix your tracks to compensate for the relatively smaller speakers that you are using at the time.
In making synthetic music, there are two steps. The first is the recording or production of the actual sound. Some musicians use live instruments, while others produce the sound entirely using technology. A backtrack is merely used as backing for live performance, while a track is the entire piece or song. The next step is to master or mix the track so that it can be released in its finished form. Some music involves these two steps simultaneously, or alternating all the time.
If you are making beats, and nothing else, then you are probably going to use mostly software to do so. This software is not new, and there are various brands. It is not sensible to recommend a specific one, since you will need to assess them and decide for yourself what you prefer.
Usually, these programs will present you with a layout of the track that allows you to add or remove samples (pre-recorded sounds, such as instruments) as building units, as you desire. You can also edit or manipulate the sounds in different ways.
You need to have experience in mixing tracks to use this software properly. If you mix the tracks wrong, you won't be able to use them for their intended function, whether that is performance in public or for a vocalist to sing to. There are some common reasons why this is so.
One such reason is that the equipment that you use to mix your tracks needs to be appropriate. Many PC speakers are extremely low power and have practically no bass. The temptation then is to amplify the bass excessively. When the track is played in public, however, the bass is so heavy that it either distorts the speakers or, in rare instances, damages them (this is known as "blowing" the speaker). You may not realize how powerful the samples are if you are not using powerful speakers when you mix your track. The track is then useless.
You should always try to maintain awareness of the relative power of the speakers that you are using to mix your tracks. Sometimes, a track might sound weak on the speakers at home, but on a professional PA system it is perfect. Tactics such as part doubling (mixing a double channel for a specific sample or instrument) or "amping" should be used sparingly, since they are seldom necessary.
Nelly Furtado, the legendary pop singer, once stated that she managed to make the speakers smoke during a practice session, literally. Despite assumptions otherwise, speakers can indeed destroy themselves. They are not made with any restriction on the power of their output, so you should not mix your tracks to compensate for the relatively smaller speakers that you are using at the time.
