Some of the best loved paintings in the world have been generated by the original Impressionist movement. Much post-modern art can leave the public feeling cold. They often find it inaccessible in intellectual, financial and practical terms. Few people have room for an installation in their living room. It should be no surprise that modern impressionist artists are enjoying a quiet revival.
Impressionism originated in the latter part of the nineteenth century. Paris was the center of the artistic world. Here, in Montmartre, converged many of the famous names associated with impressionism including Renoir, Degas and Cezanne. They sought to turn the world of art on its head.
They cast aside conventional notions of fitting subject matter and the painstaking attention that was paid to details. They saw the world differently and believed that others should share their vision. For them capturing the essence of a subject was more important than an accurate portrayal. Their depictions, often using broad and daring brushstrokes, were dazzling and vibrant explorations of light and color.
The Academy was horrified, claiming that the works were crude and poorly executed. They refused to exhibit the paintings. The public, however, thought differently. They flocked in great numbers to view the paintings at alternative exhibitions.
It was inevitable that Impressionism would be superseded by ever more adventurous techniques and styles. Yet, those painters, who tried so hard to be instantaneous, in fact produced paintings of timeless importance. The public has a huge appetite for these works. Evidence of this is everywhere. Masterpieces are printed onto all manner of surfaces from fridge magnets to tote bags.
Many of today's modern impressionist artists are following in the footsteps of their forebears. They do not, however, slavishly attempt to reproduce these classics. They continue to push the boundaries of experimentation with light and color. The result is original work that appeals to, and is accessible to, members of the public.
Impressionism originated in the latter part of the nineteenth century. Paris was the center of the artistic world. Here, in Montmartre, converged many of the famous names associated with impressionism including Renoir, Degas and Cezanne. They sought to turn the world of art on its head.
They cast aside conventional notions of fitting subject matter and the painstaking attention that was paid to details. They saw the world differently and believed that others should share their vision. For them capturing the essence of a subject was more important than an accurate portrayal. Their depictions, often using broad and daring brushstrokes, were dazzling and vibrant explorations of light and color.
The Academy was horrified, claiming that the works were crude and poorly executed. They refused to exhibit the paintings. The public, however, thought differently. They flocked in great numbers to view the paintings at alternative exhibitions.
It was inevitable that Impressionism would be superseded by ever more adventurous techniques and styles. Yet, those painters, who tried so hard to be instantaneous, in fact produced paintings of timeless importance. The public has a huge appetite for these works. Evidence of this is everywhere. Masterpieces are printed onto all manner of surfaces from fridge magnets to tote bags.
Many of today's modern impressionist artists are following in the footsteps of their forebears. They do not, however, slavishly attempt to reproduce these classics. They continue to push the boundaries of experimentation with light and color. The result is original work that appeals to, and is accessible to, members of the public.
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