21.10.12

Discovering The Rewards Of The Transfer To DVD Process

By Mamie Conrad


Cabinets at home used to have stacks of VHS, also known as the Video Home System. Seeing one would surely bring back memories of taping home video sessions and feeling embarrassed at the kid in you. As of present, however, preserving the data from these tapes is highly advised to still keep track of its contents and view them more conveniently. The transfer to DVD process is how it can be done.

If you go back to the 1980s, the VHS had an admirable popularity among families that treasured their ability to record both important and ordinary days of their lives. The twenty first century ushered in a more advanced recording format in the form of Digital Video Disks. In fact, kids of today will refer to VHS as an obsolete format that existed a long time ago already.

Then again, technology only aims to improve the living condition of humans in terms of function and entertainment level. People are admittedly becoming more appreciative of this digital and visual age. Therefore, here are the reasons why you should do that tape conversion the soonest.

Imagine stacking up discs conveniently and without having to allot a whole cabinet for your collection. On the other hand, VHS tapes are very bulky and would require ample space. The latter can also pose a limitation to how you can utilize your space to make it more functional.

Meanwhile, a tape can cause problems when it gets stuck in the unit or worse, when it gets broken while inside it. Quality wise, it rates poorly in this category unlike the superior rendering done on discs. Your viewing experience can be affected and you could deprive yourself of a great time.

The issues with compatibility can also be a very big inconvenience caused by tapes. Power and connecting cords are harder to find these days especially if no companies are already manufacturing a particular type. This is also why movie marathons no longer have a use for tapes.

In relation, if you have a VCR lying around from those nostalgic years and it got broken, give it a rest. You can always transfer those contents into a DVD. It goes without saying that you are also better off investing on a DVD player than on repairs.

Rest assured, you will get better quality with discs that keep your files intact for at most a hundred years. In comparison, tapes can only store contents to up to 20 years. In truth however, the degradation becomes noticeable even before it reaches half those years.

Hopefully, these details are enough to convince you that the transfer to DVD process is worth the change in preference. It is one of the best ways to ensure that your memories are in safekeeping. There is no better way of looking back through time than being able to see past videos of your self and your loved ones the digital way.




About the Author:



20.10.12

Most Realistic Music Programs On Television Today

By Rick Hart


If you like music, or if you are a musician, then I bet those TV programs that feature music get your interest. Now I am not talking about The Voice or America's Got Talent or American Idol. I am talking about real musicians playing live. Not some real life show or some music in the background. Not that there's anything wrong with those shows.

Now of course this genre of Television has a long history. Way back you had American Bandstand and that truly was THE show where children could see their idols and the hottest popular stars of the day do their thing. Some of it was lip-synced but in some cases, especially later on , you had real bands playing live.

And the other biggie was Soul Train, where the black side of the equation and more soulful music could be heard. Again there was plenty of lip-syncing in a number of cases but at last more of these shows had real musicians playing live. Certainly the best, actually live show in the early days was Don Kirchner's show Rock Concert. That was pre-dated by a program called In Concert where taped versions of live concerts were shown. But I think that Rock Concert was the 1st live show featuring live musicians.

But the grandaddy of them all, and probably the very first live music show, was The Ed Sullivan Show. It started in 1948, years in advance of American Bandstand or Soul Train. Most youths where introduced to their idols live for the first time on those Sun. night shows. That's where Elvis Presley and The Beatles and countless other bands got their first live TV introductions. And the fantastic thing about the Ed Sullivan show is he usually attempted to make the presentation as top quality as practical. And they were often all live. He set the bar for that.

And in Britain, the huge live show was Top of the Pops. That program started in the mid 1960's and went on for some time. It featured whatever bands where at the very top of the pop charts that week. The Beatles, Stones, and all of the hit acts were on.

And over the years, many shows developed that featured live performances. You had Austin Town Limits, Shindig, Saturday Night Live, Later with Jools Holland and others.

But my favourite programs are the ones that basically have real musicians as part of the cast or story. Naturally you had The Monkees back in the old days which was actually a take off The Beatles "A Hard Days Night." And there had been The Partridge Family which was again taken from a real band The Cowsills. But in The Partridge Family the sole "real" musician was David Cassidy who had a popular music career of his very own.

But today, there truly have not been many programs that feature onstage music apart from the variety programs or programs like Sat. Night Live or Austin City Limits and a few other shows.

My Favourite Television Program

The HBO original program Treme is the only one that springs to mind where the cast members are musicians. Actually the life of New Orleans musicians is a central story line for the entire show. That with plot lines about New Orleans ' chefs, police, redevelopment and the congressmen, form the primary story lines of the show.

But it is the live performances of the musicians in the cast that are the stars of the show for me. You see New Orleans musicians performing in clubs, bistros, fancy music halls and in the street corner. You see high school bands during practice at school. You see musicians performing at aeroports hospitable new visitors. You really have music everywhere possible in the town. The point being, that music truly does define what New Orleans is about.

And it seems like everyone sings. At bars and clubs patrons sing along to classic New Orleans music they appear to know well. It makes New Orleans appear like the most musical town on the planet. Maybe it is.




About the Author:



Guide to Making Hip-Hop Beats for Sale: Pads

By Frank Lubsey


In this article, we will take a look at one of the most subtle but nonetheless important roles in a beat, and that's the pads. Pads have never been the focal point of hip-hop and have instead had a more prominent role in more chord and melody-centric music such as techno and r&b. Nevertheless, pads can play an important role in a beat and can be used in a variety of ways in your beat to spice them up.

As stated in earlier articles, music is really the synchronization of rhythm and harmony. While the drums are the part that establishes the rhythm, it is the pads that can really establish the harmony when used effectively. Through their role in building the harmonic foundation of a song, pads have a powerful ability to add emotions to a track that the drums simply cannot. Whether the mood is triumphant, reflective, or sad, pads can easily bring those emotions into a beat. For example, listen to the intro to "One Mic" by Nas and hear how the subtle pads instantly give the song a reflective vibe to it. Another example would be "I'm Not Afraid" by Eminem, where in the intro of the song, the pads once again instantly set up a mood of triumph. Follow these examples and explore the different range of emotions that you can put into your track via the use of pads.

Pads are also great at filling in dead space within a track. Because they are a subtle and undynamic sound, they can sit with other parts such as the groove and the lead without distracting the listener. If you tried to fill in empty spaces with other parts such as the groove or the lead, it could potentially distract the user if there is too much going on. Because of this ability, pads are an excellent sound for layering (a topic that we'll discuss later). The critical thing to understand about incorporating pads into your track is to mix them in a lower volumes. Pads should have a subtle effect on a track and should not be the star. In many cases, a listener should even notice that the pads are there until they are removed from a track and the listener detects that something is missing.

With their ability to fill in space in a track, pads can be a great way to provide a difference in sound between verse and chorus parts. The parts of the verse can be left without pads for a more sparse sound while the chorus contains the pad sounds for a more robust and full-sounding track. When the beat changes from verse to chorus, it will have a more dynamic impact on the beat and the listener.

Experiment with the use of pads in your track and pay attention to the use of pads in tracks and beats that you hear in songs. Next article, we will discuss our next role, the groove.




About the Author: